Music analysis: Why are fans obsessed with unfinished songs?

From Harry Styles unreleased ‘Medicine’ to Ariana Grande’s leaked ‘Fantasize’ and countless Playboi Carti snippets circulating online, some of music's most talked about songs were never intended for release.

In an era where songs are instantly available at the touch of a button, fans are increasingly fixated on music that is incomplete, unofficial and never meant to be heard at all.

As online communities dissect demos, leaks and unfinished recordings, Music News Blitz’s Jessica Spilsbury explores why listeners are becoming obsessed with hearing music before it’s even finished.

What counts as an ‘unfinished’ song?

Unfinished songs can take many forms: leaked demos, early studio versions, scrap projects or short social media snippets that never develop into full tracks.

Often, they exist outside official discographies. 

In fact, the scale of unofficial music consumption is significant.

A 2023 IFPI report found that more than 80% of Internet users regularly listen to music via streaming platforms, creating an environment where even unofficial material can circulate instantly and globally.

One example is Ariana Grande‘s unreleased track ‘Fantasize,’ originally written for a scrapped TV project. 

Although never officially released, the demo spread widely online, accumulating over a million unofficial streams and appearing across thousands of TikTok edits before takedown attempts limited its circulation.

Grande has previously spoken out about leaks, calling them “disheartening” and asking fans to stop sharing unfinished material, adding that she was “going to come back to this hook” before it spread.

Despite that, the song became a fan fixation overnight.

Why do unfinished songs go viral?

Part of the appeal lies in access - or the perception of it.

In a streaming-first era where almost every official release is instantly accessible, unfinished music feels like something hidden from the mainstream.

According to a 2024 MIDiA Research report, around 25% of Gen Z listeners say they actively seek out unreleased or “leaked” versions of songs online, suggesting that unfinished material is now a deliberate part of how young audiences discover music.

Leaks linked to artists such as Frank Ocean have developed almost myth-like status among fans, with entire online communities dedicated to cataloguing unreleased material, demos and abandoned ideas.

On Reddit and Discord fan forums alone, discussions about unreleased music regularly generate hundreds of comments, with users sharing archives that span “dozens of gigabytes” of leaked material and reference recordings.

For fans, these songs feel like an entry into something the general public isn’t supposed to hear- a kind of backstage pass into the creative process.

TikTok and the rise of the snippet culture

If leaks created the demand, TikTok has accelerated it.

Short clips - sometimes just 10 to 30 seconds long- often circulate for months before an official release is confirmed.

TikTok data suggests that over 75% of users say they discover new music through short-form clips before hearing the full track.

Fans build entire expectations around fragments of music that may never become complete songs.

This is especially visible in fandoms such as Taylor Swift’s, where “vault tracks” and unreleased material have become a central part of album cycles.

Even officially released “From the Vault” songs are now treated with the same intensity as new material, reinforcing the appetite for music that once existed only in draft form.

The result is a strange shift: songs are no longer just judged when they are released but long before they exist in full.

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Are fans chasing authenticity?

Interestingly, unfinished songs are often described by listeners as more “real” than polished releases.

Demos can feel raw, unfiltered and closer to the artist's original idea behind the track. 

Unlike mastered singles designed for streaming performance,  they often contain mistakes, alternate lyrics, or rough vocal takes that feel more immediate and human.

This helps explain why even unofficial uploads can gain millions of listens.

One analysis of ‘Fantasize’ uploads showed it was being used in over 100,000 TikTok videos within days of going viral, highlighting how quickly unfinished music entered mainstream digital culture.

When unfinished becomes bigger than finished

In some cases, unfinished songs achieve almost legendary status before an official version even exists.

Tracks like Harry Styles’ ‘Medicine’ and Ariana Grande’s ‘Fantasize’ have both taken on near-legend status within fan communities, existing more as concepts than completed recordings.

For many listeners, the appeal isn’t just the music itself - it’s the idea attached to it.

It becomes less about what the song actually is, and more about what it might have been.

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The future of unfinished music

The obsession with unfinished songs says less about music itself and more about how listening itself has changed.

Music is no longer experienced purely as complete releases, but in fragments - snippets, leaks and demos that circulate, mutate and take on meaning long before an artist ever confirms a final version. 

In that sense, unfinished tracks don't sit outside the system anymore.

They are the system- circulating through TikTok edits, private links and fan-led archives that often give a song its first life before the official release ever arrives.

What fans are really chasing isn’t early access.

It’s proximity to the process, to the artists and to something that still feels unpolished enough to be real.

And in a music landscape built on perfection and performance metrics, it's the parts that aren’t finished that now feel most alive.

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Jessica Spilsbury

Jessica Spilsbury is a second-year Communication and Media student at the University of Leeds with a passion for media, entertainment, and contemporary culture.

Outside of her studies, she enjoys creating art, reading, discovering new music, and watching films.

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